BBC London Calling Season

LondonCalling

 

To mark the Olympic year a series of programs on London is being broadcast by the BBC, exploring the dynamic and diverse nature of the capital and its historic roots. There have already been some great documentaries on, with interesting use of maps, archive materials and personal testimonies charting the changing city and built-environment.

Last night saw the start of The Secret History of Our Streets, telling London’s history in microcosm by picking one street to follow in each episode through good times and bad. The first episode told the rather tragic tale of Deptford High Street, which moved from a relatively thriving working class centre in the early 20th century to one of London’s poorest areas in the present.

A shop trader John Price (below) who has lived in Deptford all his life engagingly recounts the close community life of his youth with his extended family all living on the same street. This is brought to an end with the drawn out demolition of the Victorian terraced housing to be replaced by modern estates. The existing community is separated as families move out to suburban new towns.

Modernist planning is unashamedly painted as the bad guy in this narrative. “Tell ’em the truth, tell ’em how they fucked everything up” mutters a passerby in one scene. The father of British Planning, Patrick Abercrombie, appears as a monocled toff in the archive footage, as he expresses his disgust at London’s old housing. This critical view of planning intervention is clearly simplistic, as there were of course very severe housing problems in London.

Yet the filmmakers back up their perspective by uncovering the council’s environmental health archives, showing that John Price’s street was healthy and in a decent state of repair- not the slum that it was labelled. To add salt to this wound, such traditional housing is now in great demand in Deptford and Greenwich, with terraces on nearby streets selling for well over half a million pounds, in stark contrast to the drab and inflexible modernist housing that replaced it and cannot be gentrified. The forthcoming episodes in this series will likely tell more rosy tales of changing London, but Deptford’s history was hard hitting stuff and very well told.

Continuing on the traditional market theme, the BBC has also been exploring London’s remaining wholesale markets in The London Markets. These have moved out of the city centre for cheaper rents and road transport links, with Billingsgate fish market moving to Docklands and Covent Garden fruit and veg going to Vauxhall. Smithfield meat market is still hanging on near the City, but surely not for long. The arcane night-time world of the butchers appears as a weird anachronism surrounded by late night financiers and clubbers in Farringdon.

Lastly on a lighter note, A Picture of London explored artists interpretations of the city across time. As well as picture postcard views from Canaletto and Monet, some of London’s most dramatic moments are depicted such as the burning of the Houses of Parliament by Turner. My personal favourite however was this gem from the archives of a witty and prescient silent movie from the 1920’s of a time traveller guessing what London might be like in the future. Perhaps the oldest urban sci-fi film? Take a look:

Sketching the City in Motion

lucinda-rogers-Canal-Street-Building

Whilst social scientists approach cities from rational and technical perspectives, it’s often interesting to get some inspiration from the creative arts world. Linking with artists is an emerging trend at CASA, with collaboration with Edinburgh College of Art through the TalesofThings project, the use of common visualisation tools such as Processing, and recent events like James’s presentation at the Mapping London Life event.

A shared challenge for artists and scientists is exploring the dynamics of cities, from the buzz of daily street life to the slower demolition and creation of the built-environment. An artist I admire for capturing these flows through static images is Lucinda Rogers, whose works have recently gone online on a new website. Her illustrations of street life in New York and London use line thickness and blurred colour to give the impression of forms in motion- from pedestrians and cars on the street to cranes dancing around St Pauls.

Rogers tends to choose Inner City subjects just at the edge of the centre, where gentrification processes are in tension with the historic fabric and traditional industries- locations such as Shoreditch and mid-town Manhattan. In this sense New York and London have much in common.

Another interesting London illustration book recently released in London Unfurled. Matteo Pericoli has done a series of books of super-long panoramas, published concertina style in one very long folded sheet. For London he follows the Thames from Hammersmith to Greenwich, with the north bank on one side of the page and the south bank on the other. This works well as the Thames is a key way  to ‘learn’ the form of London, from historic panoramas to the present day. If a 20 metre long panorama is too big for your coffee table, London Unfurled also comes in ipad version.